Bland
den ohemult stora mängd förnämliga plattor som släpptes 1975
kom Ambrosias självbetitlade
debut lite i skymundan. Vid en genomlyssning nu kan man bara
konstatera att detta var djupt orättvist. Plattan andas kvalitet i
varje por. Det finns inte en överflödig ton. Sången är mästerlig.
Inte minst stämsången är värd ett hedersomnämnande.
I
inledningslåten Nice,
Nice, Very Nice hörs
en fagott (trakterad av bandets trummis Burleigh
Drummond).
Dessutom levereras värsta zigenarfiolen emellanåt.
Musiken
på albumet kan möjligen beskrivas som en blandning
av Kansas och Camel. Med
andra ord väl genomtänkta arrangemang, vackra melodier och
oklanderliga instrumentalinsatser.
Höjdpunkten Mama
Frog är
en sex minuter lång uppvisning i musikalisk perfektionism - med
själ! I mitten ett reciterat parti från Alice
i Underlandet,
följt av ett furiöst instrumentalt fyrverkeri som borde ta andan ur
den mest förhärdade art-rock
konnässör.
Ambrosia var ett amerikanskt band som uppstod i efterdyningarna av den psykedeliska Los-Angeles-scenen sent sextiotal.
Efter
detta förnämliga progressiva förstlingsverk spårade gruppen ur
och blev ett pop-band i värsta Boston-
stil.
Men
debuten är en rätt anmärkningsvärd prestation som nog får sägas
höra hemma på klassikerhyllan. Jag lyfter på hatten för deras
musikalitet och höga ambitionsnivå. Och sörjer att de inte
fortsatte på den progressiva vägen.
En
invändning i marginalen skulle kunna var att soundet kanske är lite
för välpolerat. Studiotekniker var ingen mindre än Alan
Parsons (som
tog sig an Ambrosia direkt
efter "Dark
Side Of The Moon”).
Mig
stör det inte, men den som letar efter skitig rock ´n´ roll kommer
att bli besviken.
Några
omdömen från progarchieves:
- I urge fans of all musical genres to listen just once to this incredible album. It’s a beautiful thing
-Fans of symphonic progressive music should really take to this one
-One of the greatest debut albums of all time. This album is brilliant from start to finish.
Hela
plattan på Spotify här.
Läs
andra bloggomdömen här.
Songs
/ Tracks Listing
1.
Nice, Nice, Very Nice (5:49)
2. Time Waits For No One (5:01)
3. Holdin' On To Yesterday (4:19)
4. World Leave Me Alone (3:17)
5. Make Us All Aware (4:28)
6. Lover Arrive (3:12)
7. Mama Frog (6:05)
8. Drink Of Water (6:29)
Total Time: 38:40
2. Time Waits For No One (5:01)
3. Holdin' On To Yesterday (4:19)
4. World Leave Me Alone (3:17)
5. Make Us All Aware (4:28)
6. Lover Arrive (3:12)
7. Mama Frog (6:05)
8. Drink Of Water (6:29)
Total Time: 38:40
Line-up
/ Musicians
-
Joe Puerta / bass guitar & lead vocals
- David Pack / guitars, lead vocals & keyboards on "Lover Arrive"
- Christopher North / keyboards & vocals
- Burleigh Drummond / percussion, bassoon & vocals
- David Pack / guitars, lead vocals & keyboards on "Lover Arrive"
- Christopher North / keyboards & vocals
- Burleigh Drummond / percussion, bassoon & vocals
Andra
album som släpptes 1975:
Camel - The
Snow Goose.
Pink
Floyd - Wish
You Were Here.
Van
Der Graaf Generator – Godbluff.
Gentle
Giant - Free
Hand.
Jethro
Tull -
Minstrel In The Gallery.
Mike
Oldfield –
Ommadawn.
Hatfield
and the North - The
Rotters' Club.
BONUSINFO: Nektar
och ambrosia var enligt grekisk mytologi det som Olympens gudar
livnärde sig på. En kost som gjorde dem odödliga.
Det
finns som de flesta nog känner till även ett legendariskt progrock
band vid namn Nektar.
Om
man blir odödlig av att lyssna på den här musiken återstår att
se. Ibland tror jag det.
Uppdatering
2010 06 19
Ambrosia
kommer att uppträda på amerikanska progrock festivalen Calprog i
oktober. Gruppen presenteras på detta lyriska sätt av arrangören:
In
the summer of 1975 I was in college majoring in music and having
discovered progressive rock a couple of years earlier I was firmly
entrenched in the mostly European phenomenon. I was in awe to see
groups like Yes, Genesis and Gentle Giant combining rock influences
with classical music structures to create this rich new musical
landscape that was to be the heart of my musical journey that has
lasted nearly 40 years. Outside of Kansas, America was virtually
unrepresented in the genre at that time, a fact that I found somewhat
disturbing. But then acting on the recommendation of a high school
marching band member that rode on the school bus I drove, I bought a
new album simply entitled Ambrosia.
And
there it was, an American band, strike that, a band from the South
Bay, had created a prog masterpiece. It was fresh, lyrically
interesting, musically adventuresome, and harmonically exciting. But
besides these typical prog traits, there were beautiful harmonious
voices applied with soul and a hint of pop. David Pack, Joe Puerta,
Christopher North and Burleigh Drummond became my new heroes and one
of my top 5 favorite bands of all time.
As
the years moved on and the band got more and more recognition, they
started favoring the pop side (driven by financial rewards I suspect)
and ended up garnering 5 Grammy nominations. But even as they became
pop icons, in each album you could always find some songs that
harkened back to their progressive beginnings.
Ever
since CalProg started in 2004, they have been on our radar as a
possible act. We even went so far as to take members of the CP Exec
Staff on a scouting mission to one of their live shows in San Pedro.
It was an odd night, the crowd filled mostly with what appeared to be
longshoremen, and bands like Titanic Johnson and The Zombies shared
the bill. A fist fight even broke out in the lobby during one of the
band's sets, which did it's part to mar the event for us. Ambrosia
SOUNDED great, but they played all their pop hits and barely touched
on the prog gems we were hoping to hear. We feared they had
permanently gone to the dark side and so did not pursue them any
further. But then the following year they were booked to do a prog
set at ROSfest and by all accounts they brought the house down. (many
thanks to Iggy for having that insight!)
Last
year I got in touch with Burleigh (the drummer) and we started
discussing ways to combine forces to present Ambrosia as a prog band.
And when booking this year's festival it seemed the time was right to
bring my long time heroes to the CalProg stage. "We are so
excited to be able to return to our progressive roots and do an all
prog show here in southern California" says Drummond. "This
is gonna be great!"
So
it is with great excitement that we welcome this band who has
collaborated with the likes of Leonard Bernstein, Kurt Vonnegut
Junior and Alan Parsons to the CalProg stage to share their classic
prog catalog with us
PJ
Audio samples